Justified True Belief

Mapping the Landscape of Good Reasons for the Truth of Christianity

Christian Evidences

Evidence & Arguments for Christian Theism

Divinity of Christ

Biblical Evidence for High-Christology: Jesus is God

TBD

Old Testament Criticism

Evidence for the Reliability of the OT Bible

Common Objections

Objection Analyses to Christian Theism

World Religions

Critical Analyses of Non-Christian Religions

Philosophical Theology

Analytical Analyses of Christian Systematic Theology

Bibliology

The Doctrine of Scripture

Theology Proper

The Divine Nature and Properties of God

Creation

The Doctrine of Creation

TBD

Anthropology

The Doctrine of Humanity

TBD

Christology

The Doctrine of Christ

TBD

Soteriology

The Doctrine of Salvation

TBD

Ecclesiology

The Doctrine of the Church

TBD

Eschatology

The Doctrine of Last Things

Public Theology

Theological Analyses of Societal Issues

Theology of the Family

Where Faith and Family Intersect

Biographies

Notable Works & Great Quotes from Key Figures

The Hellenistic & Roman World

300 BC – 300 AD

Seneca of Corduba c. 4 BC – 65 AD

(●) Nero’s tutor, and the pagan whose moral writing sounded so much like the gospel that Christians spent a thousand years wondering whether he had met Paul. + Lucius Annaeus Seneca wrote sentences that stop a Christian reader cold. God is near you, he is with you, he is within you. Or this, which a Sunday school would take for a paraphrase of the Golden Rule: treat your inferiors as you would be treated by your betters. Or this, about an institution nobody in his world thought to question: the man you call your slave was born of the same stock, walks under the same sky, and breathes and lives and dies on the same terms you do. None of that comes from a Bible. It comes from a Roman senator writing in the reign of Nero, in the same decades when Paul was writing to Corinth and Rome. He matters to Christian readers for two reasons, and they pull in opposite directions. The first is that his ethics run so close to Christian ethics that the early church quoted him more warmly than almost any other pagan, and a fourth-century forger eventually manufactured fourteen letters between him and the apostle Paul, which most of Christendom then believed for eleven hundred years. The second is that his life is the sharpest ancient case of a man who could see the good and could not do it. He taught contempt for money and never denied the three hundred million sesterces a prosecutor threw at him in open court. To feel the size of that, a Roman legionary was paid nine hundred sesterces for a year of soldiering, so the sum named against him came to something over three hundred thousand years of a soldier’s wages. He wrote a book on mercy for a young emperor and later wrote that emperor’s public justification for murdering his own mother. The signature fact is one he supplied himself. Challenged in his own lifetime about the gap between his books and his household, he did not deny the charge. He wrote it down: "I am not a wise man, and I will not be one in order to feed your spite."

(●) c. 4 BC: Born in a Spanish provincial town into a family that argued for a living, and carried to Rome as an infant in his aunt’s arms. + Corduba, in the Roman province of Baetica, is modern Cordoba in southern Spain. It was a provincial capital, wealthy and Latin-speaking, and about as far from the Roman senate as a boy of good family could be born. The year is not certain. Ancient writers give his age at death loosely, and working backward from them yields somewhere around 4 BC, with 1 BC also defended, so every date tied to his age carries a "c." The household was full of talk about talk. His father, known to us as Seneca the Elder, spent a long life collecting and memorizing declamations, which were the set-piece practice speeches of the Roman schools of rhetoric, the exercises a young man performed on invented court cases and famous dilemmas to learn how to argue in public, and he left behind an anthology of them so detailed that historians still mine it. There were three sons, and each of them left a mark somewhere. The eldest, Novatus, was adopted by a family friend and took the name Gallio, under which he turns up in the New Testament (†1). The youngest, Mela, fathered the poet Lucan. The middle son, Lucius, was sickly from the start. He did not grow up in Spain. An aunt, his mother Helvia’s sister, carried him to Rome while he was still small, and he later wrote to his mother that this woman had nursed him through years of illness there. He was a provincial in the capital, with a provincial’s ear for how the capital talked, and he never entirely stopped noticing it.

(●) c. AD 19: Twenty years of Stoic study and bad lungs, ending with a good speech that nearly got him executed. + The teacher who marked him was a Stoic named Attalus. Stoicism was the school that held that the whole universe is ordered by one divine reason, that a human being is a fragment of it, and that nothing outside your own character can really hurt you. Seneca went to the lectures as a young man and came out wanting to be poor. Fifty years later he was still sleeping on the sort of pillow Attalus recommended, one so hard that it leaves no trace after pressure, and he still would not touch oysters, mushrooms, perfume, or wine. Another teacher, Sotion, talked him out of eating meat, on the Pythagorean ground that souls pass from body to body and your dinner might be somebody’s father. He kept it up for a year and enjoyed it. Then the emperor Tiberius cracked down on foreign religions, refusing certain foods became evidence of belonging to a suspect cult, and Seneca’s father, who "did not fear prosecution, but who detested philosophy," asked him to stop. He stopped. He tells the story on himself without much varnish. The body nearly ended the story early. In his twenties he had a catarrh, which in ancient medicine meant a discharge running down out of the head into the chest, and it wasted him for years. It got bad enough that he thought seriously about killing himself, and what stopped him was not courage but his father: he reflected "not how bravely I had the power to die, but how little power he had to bear bravely the loss of me." The catarrh was not the worst of it. He also had what he calls simply shortness of breath, and an attack, by his own description, blew up and passed like a squall at sea, usually over within the hour. A doctor today would call it asthma. The doctors of his own day named it, with grim accuracy, practising how to die. A long stay in Egypt with the aunt who had raised him seems to have been partly for his health, and it ended badly, since the return voyage killed her husband in a shipwreck. She got the two of them home, and then she pushed her nephew into his first public office. Then, around AD 39, he argued a case in the senate so well that the emperor Caligula, who fancied himself an orator, ordered him killed. One of Caligula’s women talked the emperor out of it by pointing out that Seneca had advanced consumption and would be dead soon anyway. He outlived Caligula by twenty-four years.

(●) AD 41: Claudius banished him to Corsica for eight years, where he wrote his bravest book and his most shameful one. + The charge was adultery with Julia Livilla, a sister of the murdered Caligula, and whether there was anything in it nobody can now say; Roman politics used that charge the way modern politics uses a tax audit. The sentence was relegation, which was the milder of the two Roman exiles: a man kept his citizenship and his property and was simply required to go and live somewhere else, and in this case the somewhere else was Corsica, an island Seneca found miserable. It cost him eight years out of the middle of his life. He arrived already grieving. Less than twenty days before the sentence he had buried an infant son. The letter he wrote from exile to his mother, the Consolation to Helvia, is one of the most humane things in Roman literature: he lists her losses one by one, including that child, "who perished in your arms and amid your kisses," and then argues that a man who carries his own mind with him has not really lost a country. He also wrote, from the same island, the Consolation to Polybius, and it is a plea for recall dressed as a letter of sympathy. The man it is addressed to was one of Claudius’ freedmen secretaries, meaning a former slave whom the emperor had set free and then put in charge of a department of his government, since Claudius preferred to run the empire through such men rather than through senators. The book is packed with praise of the emperor who had exiled him. Cassius Dio, who loathed him, says Seneca later suppressed the book out of shame, and the two Corsican works sitting side by side are the whole man in miniature: he could write like a free soul and beg like a courtier, in the same year, from the same desk.

(●) AD 49: Agrippina brought him back from the island to tutor her eleven-year-old son, the boy who would be Nero. + Agrippina had just married her uncle Claudius and was working to get her boy, Lucius Domitius, adopted as heir over Claudius’ own son Britannicus. For that she needed a famous name in the household. Tacitus, who never gives anybody the benefit of the doubt, says she arranged Seneca’s recall and a praetorship for him, the praetorship being the senior judicial magistracy that ranked next below the consulship and put a man in the front rank of the senate. Her reasons, on Tacitus’ telling, came in three parts: she thought the appointment would be popular, she thought the boy’s education would be improved, and she thought a man with eight years of Claudius’ injustice behind him could be relied on to help with the plot. So the most gifted prose writer in Rome came home to be a private tutor. The pupil, who would be renamed Nero on his adoption, was clever, vain, musical, and eleven. What Seneca taught him in those five years we do not know in detail; what we can see is the result, since the young emperor’s public voice, when it came, was Seneca’s. Older senators noticed at the time, and the note they made is a small dagger: Nero was the first Roman emperor who needed another man’s eloquence.

(●) AD 54: His pupil became emperor at sixteen, and for eight years Seneca wrote the words the empire heard. + Claudius died in October of 54, poisoned by his wife on the ancient accounts, and the boy went straight out to the praetorian camp, the barracks on the edge of the city where the emperor’s own household troops were quartered and where a new reign had to be accepted before it could begin. There he read out a speech Seneca had written. He read another to the senate. That one so impressed the senators that they voted to have it engraved on silver and read aloud every year, which tells you both how good it was and how badly Rome wanted to believe it. For roughly the first eight years the government worked. Seneca and Burrus, the blunt soldier who commanded that same guard, ran the administration between them, and Tacitus says the two men managed the rare feat of sharing authority without fighting over it. Seneca wrote On Mercy for the young emperor, holding the book up to him as a mirror (T5). He also wrote, at about the same time, a short vicious satire on the deification of the dead Claudius, the Apocolocyntosis, whose title means something like "pumpkinification." His brother Gallio contributed the best line of that season: the executioners dragged condemned bodies to the river with hooks, and Gallio said that Claudius had been raised to heaven with a hook. Then it went wrong, and the stages have dates on them. Britannicus, the son whose place Nero had taken, was poisoned at dinner in 55. Three years after that, in 58, a cornered old prosecutor named Suillius asked in open court the question that has followed Seneca ever since: by what kind of wisdom, or maxims of philosophy, had he amassed three hundred million sesterces in four years of imperial favour? Dio adds a charge that Tacitus does not make, from the same stretch of years: that Seneca lent forty million sesterces to the Britons at interest, called the loan in all at once, and helped provoke the revolt of Boudica. Both charges come from enemies and should be weighed as such. What he never did was deny the size of the fortune. Then, in 59, Nero had his mother killed, and the letter that went to the senate explaining why Agrippina had deserved it was written by Seneca. Tacitus notes drily that nobody bothered blaming Nero for the murder, since his brutality was past remonstrance, but that Seneca lost his reputation for having written the confession in such a style.

(●) AD 62: He offered to hand back the whole fortune his years at court had made him, and the emperor refused him in the warmest possible words. + Burrus died in 62, and Seneca was suddenly alone at court with men who wanted him gone. He asked the emperor for an interview, and Tacitus gives both speeches at length. Seneca’s is the more remarkable document, because it is an old man cross-examining himself out loud in front of the one person least likely to be moved by it. He starts with where he came from. The equestrian order was the rank immediately below the senate, men of money and property who were not born to govern, and he had come up out of it, and out of a province besides. Am I, who am but of an equestrian and provincial family, numbered among the chief men of Rome? Where is the mind once content with a humble lot? Is this the man who is building up his garden terraces? The questions keep coming like that until he reaches the offer, which is the point of the whole speech: order my property to be managed by your agents and to be included in your estate. Nero said no, gracefully and at length, and the refusal was a trap dressed as affection. If Seneca handed the money back, said the emperor, the story in every mouth would not be his teacher’s moderation but the emperor’s greed and the emperor’s cruelty. Tacitus ends the scene with a sentence that does not need help: "Seneca thanked him, the usual end of an interview with a despot." He went home anyway. He stopped receiving the crowds of callers a great man was expected to greet in his hall every morning, stayed out of the city, and pleaded ill health and study. Those three years of disgrace are the reason we have the best of him. The Natural Questions and the whole surviving correspondence with Lucilius, a friend serving in Sicily as the emperor’s procurator, the official who looked after the imperial revenues of a province, were written by a man who had run out of other work, and the letters alone run to one hundred and twenty-four and amount to a course in how to live.

(●) AD 65: Nero ordered his old tutor to open his veins, and he took most of a day to die, dictating to the end. + A conspiracy formed around a senator named Piso, and under interrogation one of the plotters produced Seneca’s name. The evidence was thin to the point of nothing. Tacitus says plainly that Nero was not interested in proving the charge; he was interested in finishing with the sword what he had already failed to do with poison. A tribune, one of the officers of the guard, carried the sentence out to a country house four miles from Rome, where Seneca was at dinner with his wife and two friends. He asked for tablets to write a will, was refused, and turned to the friends instead. Since he was forbidden to repay them, he said, he would leave them the only thing he had left and the best of it, the pattern of his life. Then, when they wept, he turned on them. "Where," he asked again and again, "are your maxims of philosophy, or the preparation of so many years’ study against evils to come? Who knew not Nero’s cruelty? After a mother’s and a brother’s murder, nothing remains but to add the destruction of a guardian and a tutor." His wife Pompeia Paulina said she would die with him, and he did not argue. They opened the arteries of their arms with one stroke. Nero, who had nothing against her, sent orders that she be saved, and her slaves bound up her arms; she lived on some years afterwards, very pale. Seneca did not die. He was old, and years of thin eating had left him so little blood that it would not run, so he cut his legs and knees as well, and when that did not finish it either he sent his wife out of the room, on the grounds that watching him would break her. Then he called for secretaries. He dictated page after page, and Tacitus declines to paraphrase any of it, on the reasonable ground that the work had been published and anyone could go and read it for himself. Nobody can now. It is lost. Hemlock was brought next and did nothing at all in a body already cold, and in the end he was carried into a hot bath and suffocated in the steam. He had left instructions years before, at the height of his wealth, that there was to be no funeral.

What He Taught

(T1) God is not somewhere above the sky; he is inside you, keeping accounts. + Everyone knows the reflex of praying louder in a church than in a kitchen, as though the roof helped. Seneca begins one of his letters by telling his friend Lucilius to stop it. We do not need to lift our hands to heaven, he says, or beg a temple attendant for a place near the idol’s ear so that our words carry better. The address is much shorter than that. What is inside, on his account, is a sacer spiritus, a holy spirit, which watches what you do and keeps a record, and which treats you as you treat it. He is not being poetic. Stoicism held that the whole universe is one living, ordered thing run through by divine reason, and that the mind in a human being is a piece of that same reason on loan. So the presence in you is genuinely God, and Seneca will say flatly that no man can be good without the help of God. Any Christian reading this hears Paul on Mars Hill telling Athenian philosophers that God "is actually not far from each one of us" (Acts 17:27). The resemblance is real and it is worth taking seriously. But notice the shape of it before celebrating. Seneca’s God is what the universe is doing. Ask him what to call it and the fourth book of On Benefits answers: call it Nature, call it Jupiter, call it Fate, "for since fate is nothing more than a connected chain of causes, he is the first cause of all upon which all the rest depend." The God of Scripture fills heaven and earth (Jeremiah 23:24) and knows the heart (Psalm 139:1-2), and then does something Seneca’s never does. He speaks. He has a name, he makes promises, and he keeps them in history (Hebrews 1:1-2).

(Q) "God is near you, he is with you, he is within you. This is what I mean, Lucilius: a holy spirit indwells within us, one who marks our good and bad deeds, and is our guardian." + Source: Seneca, Epistulae Morales (Letters to Lucilius) 41.1-2 (Gummere translation). The letter opens by congratulating Lucilius for working at his own understanding instead of praying for it, and this is the reason given: the help he is asking for from outside is already indoors (T1).

(T2) The man you own is a man, and could as easily have been you. + A Roman dinner party ran on silence. Slaves stood along the wall all evening, forbidden to speak, punished with a rod for a cough or a sneeze, while the master ate past the capacity of his own stomach. Seneca describes the scene in detail, including the boy kept beardless by plucking, awake all night, "in the chamber he must be a man, at the feast a boy." Then he asks his friend why on earth it would be degrading to have any of these people sit down. His answer runs on two legs. The first is that a slave is a human being, born of the same stock, under the same sky, breathing and living and dying on the same terms as his owner. The second is that the arrangement is an accident and could be reversed tomorrow: Rome had watched young men of good family, on their way to senatorial rank, end up as shepherds and cottage caretakers after a national catastrophe, and Seneca lists free men, Plato among them, who had been sold. From that he draws the rule, and it is close enough to something else that it startles: treat your inferiors as you would be treated by your betters. What he does not do is call for the end of slavery, and it would be dishonest to pretend otherwise. He is asking for kindness inside an institution he leaves standing, and he says outright that he values slaves by character rather than by function, not that they should stop being slaves. The New Testament does not abolish it either, and then it does something Seneca has no room for. Paul sends a runaway slave home to his owner and instructs the owner to receive him "no longer as a bondservant but more than a bondservant, as a beloved brother" (Philemon 16), because in Christ the categories themselves have stopped counting (Galatians 3:28). Seneca softens the master. Paul makes the two men relatives.

(Q) "Kindly remember that he whom you call your slave sprang from the same stock, is smiled upon by the same skies, and on equal terms with yourself breathes, lives, and dies." + Source: Seneca, Epistulae Morales (Letters to Lucilius) 47.10 (Gummere translation). Letter 47 is the most quoted thing he ever wrote on the subject, and the ancient world noticed: the grammarian Macrobius lifted a long stretch of it into his own book three and a half centuries later (T2).

(T3) Hardship is not evidence that God has forgotten you; it is how he trains the people he means to use. + Lucilius asked him the oldest question there is. If the world is run by providence, why do bad things keep happening to good people? Seneca’s answer, in the short book he wrote back, is that the question has the picture upside down. He reaches for the family, and then for the gym. Mothers cuddle children and keep them out of the sun; fathers get them up early and work them until they sweat and sometimes until they cry, and it is the fathers who are taken to be preparing them for something. Athletes ask their trainers to hit them harder, because strength with no antagonist droops and there is no way to find out what you can carry except by carrying it. So a good man’s troubles are not a lapse in the management. They are the assignment given to the soldier the general trusts, and the man who has never met one is not fortunate but untested: "I think you unhappy because you never have been unhappy." The book is the closest a pagan came to the argument of Hebrews 12, that "the Lord disciplines the one he loves" and that enduring hardship means being treated as a son (Hebrews 12:6-7). The difference is what the training is for and who bears the cost. In Seneca the discipline produces a man who needs nothing and no one, and he pushes that to a sentence a Christian cannot follow him into: God is beyond suffering evil, but you are above it, and in this you can surpass God himself. In Hebrews the discipline produces sons, and the reason a Christian can bear it is that God did not stay above the suffering.

(Q) "Be thou sure that God acts in like manner: He does not pet the good man: He tries him, hardens him, and fits him for Himself." + Source: Seneca, De Providentia (On Providence) 1 (Stewart translation). The sentence that closes his opening argument, after the comparison of strict fathers with indulgent mothers. A few lines earlier he has called the good man God’s "pupil and rival and true offspring," whom his glorious parent trains more severely than other men (T3).

(T4) Time is the only thing we actually own, and it is the one thing we let anybody take. + Seneca noticed something about how people guard their possessions. Nobody lets a neighbour walk off with a chair. Everybody lets a neighbour walk off with an afternoon, and thanks him for the visit. We charge the cheapest goods to somebody’s account and never think of ourselves as in debt when we have taken an hour that cannot be given back, which is the one loan even a grateful man is unable to repay. So the complaint that life is short, he says, is a lie we tell to avoid the audit. Life is long enough for very great things if the whole of it is invested; what happens instead is that the largest part goes on doing wrong, a good share on doing nothing, and the whole of it on doing what was not the point. The man he is writing to has been putting off living until he retires, which Seneca regards as the most expensive purchase in the world, since it is paid for in the only currency nobody can restock. The first of his letters to Lucilius drives it home with a question that reads like Scripture and is not: what man can you show who reckons the worth of each day, who understands that he is dying daily? The Bible says the same thing about the arithmetic, that a life is a mist that appears for a little and vanishes (James 4:14), and then adds the sentence Seneca has no way of writing. James is not telling his readers to spend the mist better. He is telling them that the mist is held by somebody, and that what to do tomorrow is a question to ask the Lord.

(Q) "It is not that we have a short space of time, but that we waste much of it. Life is long enough, and it has been given in sufficiently generous measure to allow the accomplishment of the very greatest things if the whole of it is well invested." + Source: Seneca, De Brevitate Vitae (On the Shortness of Life) 1.3 (Basore translation). Addressed to Paulinus, the official in charge of Rome’s grain supply and probably a relative of Seneca’s wife, whom the book urges to get out of public administration while there is still time to live (T4).

(T5) The mark of real power is what a ruler declines to do with it. + Around 55 or 56 Seneca handed his teenage emperor a book about clemency, which in Latin is clementia: not the modern sense of a soft nature, but the deliberate restraint of a punishment that could lawfully be inflicted. It is a virtue that only somebody holding the whip can practise. The strategy of the book is worth watching, because it is not a lecture. Seneca says he is writing to serve as a mirror, and then he does something a modern speechwriter would recognize instantly: he writes out, in the first person, the speech he wants Nero to be able to make about himself. Have I of all mankind been chosen to perform the office of a god upon earth? All these thousands of swords now restrained by my authority would be drawn at a sign from me. My sword is sheathed, nay, fixed in its sheath. A man who has nothing else to recommend him will find favour in my eyes because he is a man. The praise is not description but instruction, dressed as flattery so that a proud boy can wear it. Two of the lines have a terrible afterlife. Seneca tells Nero that his reign is a pattern others will copy, and adds that this only works if the goodness is genuine, "for no one can wear a mask for long, and fictitious qualities soon give place to true ones." He was right about the mask. He was addressing the man who would kill his mother four years later, and who would give the order for Seneca’s own death within ten.

(Q) "I keep harshness concealed, but I have clemency always at hand: I watch myself as carefully as though I had to give an account of my actions to those laws which I have brought out of darkness and neglect into the light of day." + Source: Seneca, De Clementia (On Clemency) I.1 (Stewart translation). Part of the speech Seneca writes for Nero to make to himself, which ends with the emperor sparing men for his own sake when he can find no other reason for it, and declaring himself ready to render the gods an account of the human race (T5).

(Q) "I speak of virtue, not of myself, and when I blame vices, I blame my own first of all: when I have the power, I shall live as I ought to do." + Source: Seneca, De Vita Beata (On the Happy Life) 18 (Stewart translation). A critic has just told him, "You talk one way, and live another." Seneca does not deny it. He answers that the same reproach was thrown at Plato, at Epicurus and at Zeno, that all of them described how a man ought to live rather than how they did live, and that he follows virtue at a long distance and with a limp. The chapter before it contains the full charge sheet against him, in his own handwriting: the estate, the wife’s earrings, the wine older than he is, the slaves too many to know by sight.

What Christian Thinkers Made of Him

(†) The nearest the New Testament comes to him is his brother, sitting on a judgment seat in Corinth with Paul in front of him. + Seneca’s eldest brother Novatus, adopted into another family and renamed Lucius Junius Gallio, governed the Roman province of Achaia, which is southern Greece, around AD 51 and 52, with the title of proconsul. An inscription found at Delphi carrying an imperial letter that mentions him in office is the reason historians can date that governorship closely, and because Paul was hauled before him during it, that stone is one of the fixed points from which the whole chronology of Paul’s travels is worked out. The scene in Acts is short and dismissive. Some of the Corinthian synagogue leaders bring Paul to the tribunal for teaching an illegal form of worship, and before Paul can open his mouth the proconsul cuts them off: "But since it is a matter of questions about words and names and your own law, see to it yourselves. I refuse to be a judge of these things" (Acts 18:15). He clears the court, and when the crowd beats the synagogue ruler in front of him he does not look up. It is a Roman magistrate declining to make Christianity a criminal matter, and it left Paul free to go on working in Corinth. Seneca knew that brother well and liked him; two of his books are dedicated to him, one opening with the words "All men, brother Gallio, wish to live happily." That is the whole documented contact between the Annaeus family and the apostolic mission: a bored magistrate, an unread case, and a philosopher at the other end of the Mediterranean writing about the god within.

(†) The early Latin fathers quoted him as very nearly one of their own. + Tertullian of Carthage is famous for asking what Athens has to do with Jerusalem, which is his way of asking what philosophy has to do with the faith, and the answer he usually gives is nothing at all. He made his exception for a Stoic from Spain. Arguing in his book on the soul that the mind’s faculties are present from birth like seeds, he backs himself with a quotation and introduces it with three Latin words that have followed Seneca ever since, Seneca saepe noster: "Just as Seneca says, whom we so often find on our side." Lactantius, tutor to the emperor Constantine’s son, went further still. He used Seneca constantly, called him the keenest Stoic of the Romans, and turned his lines about the supreme Deity back against the polytheism of Rome, which is exactly what a pagan witness is good for in an argument with pagans. Augustine, a century later, is the most interesting of them because he is the least impressed. He had read a lost book of Seneca’s attacking the state religion, and he reports its contents with relish: the ridicule of gods who need attendants to dress them, the observation that the Jews at least know the reasons for their rites while the Romans do not. Then Augustine turns and drives the knife in. Seneca ridiculed the ceremonies and performed them anyway, and Augustine will not let that go: he "worshipped what he censured, did what he condemned, adored what he reproached," and defended himself with the line that a wise man observes all this as commanded by the laws and not as pleasing to the gods. That verdict is the honest one, and it is worth holding on to. The fathers did not treat Seneca as a secret Christian. They treated him as proof that a Roman with no Scripture and no church could get remarkably far by conscience alone, which is exactly what Paul says happens to people who do by nature what the law requires and find the work of it written on their hearts (Romans 2:14-15).

(†) A forger wrote fourteen letters between him and the apostle Paul, and most of Christendom believed them for eleven centuries. + Sometime in the fourth century somebody produced a correspondence: eight letters from Seneca to Paul and six from Paul to Seneca, thin, flattering, and empty of anything either man would have bothered to say. The forger’s motive is easy to guess. Here were two famous writers in one city in one decade, one of them the emperor’s tutor, and the temptation to introduce them was irresistible. It worked because Jerome fell for it. In his catalogue of Christian authors he gives Seneca an entry, and says so almost with a shrug: he would not have placed the man in the list of the saints "were it not that those Epistles of Paul to Seneca and Seneca to Paul, which are read by many, provoke me." Augustine cites the letters too. Once Jerome had listed him, Seneca was a quasi-Christian for the whole of the Middle Ages. Dante, who put almost every pagan he admired in the first circle of hell, has "Seneca morale," Seneca the moralist, standing there among the great souls. Medieval libraries copied him by the hundreds. The letters are worthless and everyone now knows it; humanist scholars in the sixteenth century, Erasmus most publicly, examined the Latin and demolished them. What is interesting is what survived the demolition. Nobody stopped reading Seneca. John Calvin’s very first book, published in 1532 when he was twenty-two and not yet a reformer, was a commentary on On Clemency. The letters were a fraud; the reason a fraud like that could be believed was not.

(†) Where the gospel parts company with him: a God who is only Nature, a door always left open, and a virtue he could describe but not reach. + The admiration was earned. So is the other column, and everything in it comes from what Seneca himself wrote and did rather than from what later readers made of him. - A God with no name. The holy spirit within (T1) turns out, when he explains it, to be divine reason running through the universe, and he is content to have it called Jupiter, Nature or Fate, since fate is only the chain of causes and God is the first link. That is a God nobody can be introduced to. Scripture’s God spoke to the fathers by the prophets and last of all by a Son (Hebrews 1:1-2), which is a claim about a particular voice on particular days, and no chain of causes can be spoken to or thanked. - A goodness that has to be self-made. Seneca does say that no man can be good without the help of God, and he means it. But in the last pages of his book on providence (T3) he writes out God’s own speech to a suffering man, and what God says is: I have placed every good thing within your own breasts; it is your good fortune not to need any good fortune; God is beyond suffering evil, and in this you can surpass him. That is the exact reverse of the gospel’s order, in which the good is not planted in the breast to be drawn out but given from outside, "not a result of works, so that no one may boast" (Ephesians 2:8-9). - The open door. The consolation his providence book ends on is suicide, offered as the proof that nobody is held captive: God has made nothing easier for a man than to die, death lies near the surface, and if you do not choose to fight you may fly. Seneca used the door himself, and so did his wife. Scripture leaves it shut. A life is not the property of the man living it, and death is not an exit from judgment but the appointment before it (Hebrews 9:27). - Death as simple non-existence. Gasping through an asthma attack, he steadied himself with the thought that death is what preceded his birth, that a mortal is a lamp lit and put out, and that on either side there is deep peace. It is brave and it is bleak, and it is the point at which the two accounts of death cannot both be true. The last enemy in Christian reckoning is not a peace but an enemy, and one that is destroyed (1 Corinthians 15:26). - The gap he admitted himself. He described a virtue he did not practise, and said as much himself in On the Happy Life (Q). The Roman world said it louder: Suillius in open court about the three hundred million, Dio listing the tyrant’s teacher who denounced tyranny and the moralist who kept five hundred identical ivory-legged tables, Tacitus recording who wrote the senate’s letter after Agrippina was killed. Paul writes the same diagnosis about himself in a letter composed while Seneca was still at court: "For I do not do the good I want, but the evil I do not want is what I keep on doing" (Romans 7:19). The two men reach the same wall. Seneca’s answer is to keep walking toward virtue at a limp and hope to close the distance. Paul’s is a cry for rescue and a name to answer it (Romans 7:24-25). None of that makes him a fool, and Christians have never been able to treat him as one. He is the best evidence the ancient world offers that conscience really does reach a long way without revelation, and the best evidence it offers that reaching is not the same as arriving.

Seneca is one of the best preserved of all ancient prose writers, and the reason is the Middle Ages: monastic libraries copied him relentlessly, partly because Jerome had listed him among Christian authors (†3). The philosophical prose comes down in two streams, the twelve Dialogues in a single eleventh-century manuscript written at Monte Cassino, from which more than a hundred later copies descend, and the Letters in a separate tradition. The tragedies travelled on their own and were nearly forgotten before the fourteenth century. Substantial works are still lost, including every speech he wrote for Nero and the book Augustine quotes against the state religion. The Dialogues (twelve books, transmitted together; the title is ancient and the "dialogue" is one-sided, an essay addressed to a named person): - De Providentia (On Providence): why bad things happen to good men, answered with fathers, athletes and soldiers, and ending on the open door of suicide. Addressed to Lucilius (T3). - De Constantia Sapientis (On the Firmness of the Wise Man): that the wise man can be neither injured nor insulted, since both require his consent. - De Ira (On Anger), three books: the fullest ancient study of rage, written for his brother Novatus, with a case history of Caligula’s cruelties that reads as reportage. - Ad Marciam de Consolatione (To Marcia, on Consolation): to a woman three years into mourning a grown son, arguing that grief has a term and that her son was lent rather than given. - De Vita Beata (On the Happy Life): what happiness is, addressed to his brother Gallio, and containing the self-defence against the charge of preaching poverty from a palace (Q). - De Otio (On Leisure): whether a Stoic may withdraw from public life. Incomplete at both ends, and unmistakably personal. - De Tranquillitate Animi (On Peace of Mind): a friend describes his own restlessness and Seneca prescribes, in the most practical of the essays. - De Brevitate Vitae (On the Shortness of Life): the great essay on wasted time, usually dated to about AD 49 though some place it in the middle 50s (T4). - Ad Polybium de Consolatione (To Polybius, on Consolation): written from exile to an imperial freedman, and disfigured by its praise of Claudius. - Ad Helviam Matrem de Consolatione (To Helvia, on Consolation): written from the same exile to his mother, consoling her for his own banishment. The finest thing to come out of Corsica. The long treatises: - De Clementia (On Clemency), two books, the second breaking off unfinished: a mirror for the young Nero on the restraint of lawful punishment (T5). - De Beneficiis (On Benefits), seven books: how to give, receive and repay a kindness, and the fullest statement of his theology, including the passage identifying God with Nature and Fate. - Naturales Quaestiones (Natural Questions), seven books: meteors, lightning, earthquakes, the Nile, comets, each investigation turning at the end into moral instruction. Written in the last years of retirement. The Letters: - Epistulae Morales ad Lucilium (Moral Letters to Lucilius): one hundred and twenty-four letters in twenty books, written after 62 to a friend serving as procurator in Sicily and plainly meant for publication. A whole education in Stoic ethics delivered in instalments, and the source of the god within (T1), the letter on slavery (T2) and the letter on time (T4). Aulus Gellius quotes a book twenty-two, so more once existed. The satire: - Apocolocyntosis Divi Claudii (The Pumpkinification of the Divine Claudius): the dead emperor stumbles into heaven, is refused, and ends as a law clerk in the underworld. Short, cruel and very funny, and written by the man who had composed Claudius’ funeral eulogy. The tragedies (verse plays on Greek myth, almost certainly for recitation rather than the stage; they are the only Latin tragedies to survive complete, and through them Seneca shaped Elizabethan drama): - Hercules Furens: Hercules returns from the underworld and is driven mad into killing his wife and children. - Troades (The Trojan Women): the women of a fallen city wait to learn which of them goes to which conqueror, and whose child must die. - Phoenissae (The Phoenician Women): the blinded Oedipus and his warring sons. Incomplete, surviving as two long fragments. - Medea: the abandoned wife who kills her own children, given the coldest self-knowledge in ancient drama. - Phaedra: a stepmother’s ruinous passion for her husband’s son. - Oedipus: the plague, the investigation, the discovery. - Agamemnon: the king comes home from Troy to a wife who has been waiting ten years with a plan. - Thyestes: a brother serves a brother his own children at dinner. The bleakest of them, and the one most often read beside the reign of Nero. - Hercules Oetaeus (Hercules on Oeta): transmitted with the rest and generally judged not his, or his only in part. - Octavia: certainly not his, since it dramatizes the fall of Nero’s first wife and puts Seneca himself on stage as a character. Written after 68, and the only surviving Roman historical drama. Lost: De Superstitione (On Superstition), the attack on the state religion that Augustine quotes; Exhortationes, quoted by Lactantius; Moralis Philosophiae Libri (Books of Moral Philosophy), the systematic ethics he was still writing at his death; De Matrimonio, De Amicitia, De Immatura Morte, a life of his father, works on Egypt, India, earthquakes, stones and fish, the speeches he wrote for Nero, and his poetry, of which a handful of epigrams may be genuine. Spurious: the Correspondence of Paul and Seneca, fourteen letters forged in the fourth century (†3); De Remediis Fortuitorum; the Formula Vitae Honestae or De Quattuor Virtutibus, actually by Martin of Braga in the sixth century and circulated under Seneca’s name throughout the Middle Ages; the Monita and other collections of maxims. Standard English editions: the Loeb Classical Library carries the whole corpus with facing Latin, most of it in the older translations by Richard Gummere (letters), John Basore (dialogues) and Frank Justus Miller (tragedies), which are in the public domain and free online, alongside newer replacements. The University of Chicago Complete Works of Seneca in Translation, edited by Elizabeth Asmis, Shadi Bartsch and Martha Nussbaum, is the current standard in English. The nineteenth-century Aubrey Stewart versions of the minor dialogues, On Clemency and On Benefits, are also freely available.
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