(P1)Psalm 22 describes a public death unlike anything Israel practiced.
+Psalm 22 runs thirty-one verses, and a man speaks the first twenty-one of them while he dies in the open with a crowd watching. What he describes is not how Israel put anyone to death.
(1) The psalm opens on an abandonment it never explains.
- "My God, my God, why have you forsaken me? Why are you so far from saving me, from the words of my groaning? O my God, I cry by day, but you do not answer, and by night, but I find no rest." (22:1-2)
- He is not wondering whether God is there. He is a man who trusted and has been left standing, which is by some distance the worse place to be, and the psalm sits in it for twenty verses without moving.
- A lament, which is the Bible's word for a poem of complaint addressed to God, normally tells you what went wrong. An illness, an army at the gate, a charge the man says is false: something. This one hands you the scene and keeps the reason to itself.
(2) The crowd's taunt is aimed past him at God.
- "All who see me mock me; they make mouths at me; they wag their heads; He trusts in the LORD; let him deliver him; let him rescue him, for he delights in him" (22:7-8)
- Mockery of a dying man is ordinary enough. What these people say is not. They never tell him he had it coming. They turn away from him and speak to God about him, over his head, daring God to come down for a favorite.
- There is a whole theology folded into that taunt, and it draws blood only on a man whose one claim was that God was on his side.
(3) The dying goes on long enough for the body to give out.
- "I am poured out like water, and all my bones are out of joint; my heart is like wax; it is melted within my breast; my strength is dried up like a potsherd, and my tongue sticks to my jaws; you lay me in the dust of death." (22:14-15)
- Joints pulling apart, a mouth too dry to work, the strength going out of him, and time enough to feel every stage of it.
- Whatever is happening here takes hours. Nobody dries out like a piece of broken pottery in the few minutes an execution by stoning takes.
(4) No court in Israel ever killed a man this way.
- Israel executed by stoning, and in a few cases by burning (Leviticus 20:14). Either way it was finished in minutes.
• Deuteronomy 21:22-23 does put a man on a tree, but it puts him there already dead: executed first, hung up as a public warning, and taken down before sundown. A corpse on display is not a living man on a beam for the afternoon.
- The empires around Israel did string living men up, so the idea existed somewhere in the world. Assyrian reliefs show captives impaled outside a captured city, and a Persian decree quoted at Ezra 6:11 threatens to pull a beam out of a man's house and impale him on it. A stake driven through the body kills quickly, though, and it leaves no wounds in the hands or the feet.
- Killing a man slowly, in front of a town, reached Judea late. The first mass crucifixion under a Jewish ruler is Alexander Jannaeus putting eight hundred of his opponents on crosses around 88 BC, which Josephus, a Jewish commander who surrendered to Rome and spent his later years writing his nation's history for Roman readers, records as an atrocity.
- Dates proposed for Psalm 22 run from David's lifetime down to the years after the exile, and it is the latest of them that matters here, because even that one leaves the psalm more than two hundred years older than the morning Jannaeus raised his crosses. No proposed author of it had ever seen such a death at home.
(5) Verse 16 puts the wounds at the hands and the feet.
- "For dogs encompass me; a company of evildoers encircles me; they have pierced my hands and feet." (22:16)
- One word in that line is disputed, and the whole quarrel comes down to its final letter.
• The Masoretic Text, which is the Hebrew Bible as fixed by Jewish scribes in the early Middle Ages and the base of every modern Hebrew edition, ends the word in yod and reads ka'ari, "like a lion." That leaves "like a lion my hands and my feet," a clause with no verb in it at all.
• End the same word in waw and it becomes ka'aru, "they dug" or "they pierced," which supplies the verb the clause is missing. Those two letters are the smallest in the Hebrew alphabet, each a short stroke with a little head on it, told apart by how far down the line the stroke runs.
- Three ancient witnesses in three languages have the verb rather than the lion.
• The Septuagint, the Greek translation of the Hebrew Scriptures made by Jews before the Christian era, reads oryxan, "they dug."
• The Peshitta, the old Syriac Bible of the Aramaic-speaking churches to the east, has the piercing.
• A Hebrew Psalms scroll found at Nahal Hever, in a cave above the Dead Sea, ends the word in waw.
- That scroll was copied around AD 50 to 68, so it is no use as evidence from before Jesus and nobody should sell it as such. What it is, is a Jewish scribe's copy with no Christian interest anywhere in it, siding with the Greek and the Syriac against the medieval Hebrew.
(6) Two lines about the clothing describe a single act.
- "They divide my garments among them, and for my clothing they cast lots." (22:18)
- Hebrew poetry runs in paired lines, a habit called parallelism: the second line says the first one over again in other words, often sharpening it as it goes. "The heavens declare the glory of God, and the sky above proclaims his handiwork." (Psalm 19:1) The heavens and their expanse are the same sky, named twice. One thought, two lines.
- Verse 18 works that way. The garments and the clothing are the same clothes, and the dividing and the lot are the same moment of plunder, when the clothes come off him and are shared out among the men who took them. Nothing in the Hebrew asks for two transactions with two objects.
Therefore, the psalm describes a man dying slowly in public, wounded in his hands and his feet, with his clothing shared out, in a country whose own executions looked nothing like it.
(P2)The prophets name a beating, a price, a struck shepherd, and a piercing.
+Four passages fill in what the psalm leaves out. Each was fixed in writing centuries before Jesus, and each names something a general description would not bother with.
(1) Isaiah's servant takes the beating without turning away.
- "I gave my back to those who strike, and my cheeks to those who pull out the beard; I hid not my face from disgrace and spitting." (Isaiah 50:6)
- The line just before it sets the posture: "The Lord God has opened my ear, and I was not rebellious." (50:5) He is not overpowered. He stays.
- Isaiah 50 belongs to a run of chapters about a servant of the LORD. The traditional dating puts it in the eighth century BC, while the critical dating, favored by scholars who assign chapters 40 onward to a later writer, puts it at the end of the Babylonian exile around 540 BC. Either way more than five hundred years stand between the text and the crucifixion, which is roughly twenty generations.
- The whole book survives complete in a leather scroll copied around 125 BC and sealed in a cave above the Dead Sea until 1947.
(2) Zechariah's shepherd is paid off with thirty pieces of silver.
- Prophets in Israel sometimes acted a message out in the street rather than only saying it, so that a crowd could watch it instead of listening to it. Ezekiel lay on his side to play out a siege. Jeremiah smashed a clay jar in front of the elders. The name for that habit is a sign-act, and Zechariah 11 is one.
- Zechariah takes the part of a shepherd, works for owners who despise him, and then asks to be paid off. "Then I said to them, If it seems good to you, give me my wages; but if not, keep them. And they weighed out as my wages." (Zechariah 11:12)
- What comes next is the strange part. "Then the LORD said to me, Throw it to the potter—the lordly price at which I was priced by them. So I took the thirty pieces of silver and threw them into the house of the LORD." (11:13)
- A sum, a place, and what becomes of the money: thirty shekels, the house of the LORD, thrown to the potter. All three are specified, and the price is named sarcastically as the worth of the LORD Himself.
• One word here is contested. The Hebrew reads "potter"; some modern translations follow the Syriac and read a nearly identical word meaning "treasury," which sits more comfortably in a temple.
(3) God orders His own shepherd struck.
- "O sword, against my shepherd, against the man who stands next to me, declares the LORD of hosts. Strike the shepherd, and the sheep will be scattered; I will turn my hand against the little ones" (Zechariah 13:7)
- "My Associate" is a word for somebody standing beside God rather than under Him. God says it about this shepherd, and in the same breath orders him struck and his flock scattered.
- Jewish readers were working on this verse before there were any Christians around to influence them. The Damascus Document, the rule book of a Jewish group that had broken with the temple leadership, was copied at Qumran, the settlement above the Dead Sea where the scrolls were found, in the century before Jesus, and it quotes this verse in a passage about a coming visitation.
• The column carrying that quotation survives only in a medieval copy recovered from a Cairo synagogue storeroom, not among the desert fragments, so its earlier wording is inferred rather than physically attested.
(4) God speaks of a piercing done to Himself.
- "And I will pour out on the house of David and the inhabitants of Jerusalem a spirit of grace and pleas for mercy, so that, when they look on me, on him whom they have pierced, they shall mourn for him, as one mourns for an only child, and weep bitterly over him, as one weeps over a firstborn." (Zechariah 12:10)
- The setting is a siege. Chapter 12 has the nations gathered against Jerusalem and the LORD defending the city, and the mourning comes only after the rescue. Who was pierced, the chapter never says.
- Follow the pronouns and the sentence comes apart in your hands. God is the speaker. God is the one pierced. Then, inside that same Hebrew sentence, the mourning is for a third-person Him.
- Nobody has ever made that verse comfortable, Jewish or Christian. The Talmud, the rabbis' great collection of law and debate, preserves an argument about what the mourning is for, and one of the two answers on offer is the killing of Messiah son of Joseph (Sukkah 52a), a second and suffering Messiah who dies before the reigning one comes, a figure drawn partly out of this verse.
- The dating of Zechariah's second half is genuinely disputed, with proposals running from the eighth century down to the second century BC, and the latest date anyone argues for is still well over a century before Jesus. Copies of the Twelve Prophets, the single scroll that carried Zechariah alongside eleven other short prophetic books, survive from about 150 BC, and the pre-Christian Greek translation of the Twelve carries chapters 9 through 14 exactly where they stand now.
Therefore, texts written centuries apart, and centuries early, specify a beating, a price, a disposal of the money, a struck shepherd, and a piercing God speaks of as His own.
(P3)The matching details were settled by Jesus' enemies and by Roman soldiers.
+Anyone can act out a scene he has read. What nobody can do is make his enemies act it out with him, so for every one of these details the question is whose decision it was.
(1) Two groups, hours apart, did the beating and the spitting.
- "Then they spit in his face and struck him. And some slapped him, saying, Prophesy to us, you Christ! Who is it that struck you" (Matthew 26:67-68) That is the night hearing, in front of the high priest.
- Then the soldiers, the next morning, after Pilate had "scourged Jesus" (27:26): "And they spit on him and took the reed and struck him on the head." (27:30)
- Between them, one Jewish group and one Roman, they produce most of Isaiah 50:6: the blows to the back, the blows to the face, the insults, the spitting. Neither group was taking direction from the prisoner.
(2) The price was set by the men doing the buying.
- "Then one of the twelve, whose name was Judas Iscariot, went to the chief priests and said, What will you give me if I deliver him over to you? And they paid him thirty pieces of silver." (Matthew 26:14-15) The question was left open, and the figure that came back was theirs.
- Then the money's end. Judas "threw the pieces of silver into the temple sanctuary," the priests refused to bank what they called the price of blood, "and bought with them the potter’s field as a burial place for strangers." (27:5-7)
- Thrown down in the temple, and spent on a potter's field. Zechariah's three details, filled in by a traitor and by a committee of his opponents.
(3) The manner of execution belonged to Rome alone.
- Crucifixion was a Roman penalty imposed by a Roman governor, and no Jewish court could hand it down. Whatever the council wanted, the shape of the death was Pilate's to choose, and a condemned man chooses nothing.
- In 1968 a construction crew north of Jerusalem broke into a first-century tomb at Giv'at ha-Mivtar. Inside a bone box marked Jehohanan son of Hagkol lay the heel of a man in his twenties with four inches of iron nail still through it. The tip had bent against a knot in the wood and could not be drawn back out, which is why nobody salvaged it. That heel is still the only crucified skeleton from Judea, and until a second was reported in 2021 from a Roman cemetery at Fenstanton in England, it was the only one from anywhere.
- The bone attests a nail through a foot and nothing more, and the honest reading of it is narrower than the popular one. A reappraisal published in 1985 judged that this man's arms had more likely been tied than nailed, so the skeleton says nothing about hands, and whether Roman nails went through the palm or the wrist is argued over still. What it settles is that men were fastened to the wood with iron rather than rope, and the proof came out of the ground a few minutes' walk from where Jesus died.
- Nailed hands are not a Christian embellishment either. A comedy by the Roman playwright Plautus, staged before Rome ever governed Judea, jokes about a slave offered a reward if his feet and his arms were nailed twice over, and Josephus says the soldiers besieging Jerusalem nailed their prisoners up in one posture after another for sport.
- For Jesus in particular, the hands come from the accounts themselves: "Unless I see in his hands the mark of the nails, and place my finger into the mark of the nails, and place my hand into his side, I will never believe." (John 20:25)
(4) Three details were settled by the men on duty that afternoon.
- The clothes: "When the soldiers had crucified Jesus, they took his garments and divided them into four parts, one part for each soldier; also his tunic. But the tunic was seamless, woven in one piece from top to bottom, so they said to one another, Let us not tear it, but cast lots for it to see whose it shall be" (John 19:23-24) Psalm 22:18 reads most naturally as one act (P1). A seam produced two.
- The legs: the bodies had to be down before the Sabbath, so an order went out to break the legs and hasten death. "So the soldiers came and broke the legs of the first, and of the other who had been crucified with him. But when they came to Jesus and saw that he was already dead, they did not break his legs." (19:32-33)
• John names the rule he sees kept: "Not one of his bones will be broken." (19:36) It is the Passover instruction, "you shall not break any of its bones" (Exodus 12:46), and it echoes the promise over the righteous man, "He keeps all his bones; not one of them is broken." (Psalm 34:20)
• Two men beside him had their legs broken that afternoon. He was passed over because a soldier looked at him and judged him already dead.
- The spear: "But one of the soldiers pierced his side with a spear, and at once there came out blood and water." (19:34) John attaches Zechariah to it in the next breath: "They will look on him whom they have pierced." (19:37)
(5) Three of the details came out of his own mouth.
- The cry from the cross is Psalm 22:1 in his own voice: "My God, my God, why have you forsaken me?" (Matthew 27:46) He said it, so it shows nothing about foresight, and counting it as a match would be padding.
- The thirst goes the same way, because John states the motive outright: Jesus, "knowing that all was now finished, said (to fulfill the Scripture), 'I thirst.'" (John 19:28)
- So does his quoting of Zechariah's struck shepherd, which he named on the road to Gethsemane, hours before anyone laid a hand on him (Mark 14:27). Announcing a text and then walking into the arrest is not foreseeing anything.
• Bringing the verse about was another matter. The striking was the council's and Rome's, and the scattering was eleven other men's, done inside the hour by men who had just told him to his face that they would die first (Mark 14:29-31, 50).
- The rest was never his to arrange. Whether he was flogged, what the priests paid, how Rome chose to kill him, what a work detail did with his coat, whether his legs were broken, whether anyone put a spear in him: not one of those was his call to make.
Therefore, the details that make the description specific were decided by a council that wanted him dead and by soldiers who did not know his name.
(C1)Therefore, a detailed description was in circulation for centuries before the death that matches it.
+A detailed description of one man's death was in circulation for centuries, and then a death occurred that answers to it. Those are two separate facts, and either one can be checked without the other. The description sits in texts whose age is fixed by surviving copies, and fixed at that by the scholars who date them latest. The death sits in four first-century accounts, and in one fact granted right across the spectrum of historians: a Galilean teacher was crucified under Pontius Pilate. Tacitus, a Roman senator writing some eighty years afterward for readers who found the whole movement contemptible, mentions it in passing, the way a man mentions something nobody disputes (Annals 15.44).
That much is the evidence. What accounts for it is a further question, and answering that one takes a different kind of work than a proof does.
Think of a fire investigator standing in a burned-out kitchen the morning after. He has a scorch pattern climbing one wall, a melted extension cord, a window left open, and a neighbor who saw nobody come or go. He cannot settle the matter the way a mathematician settles a theorem, and he knows it. What he can do is lay the possible accounts side by side and ask which one leaves the least lying unexplained. Faulty wiring, a dropped cigarette, a fire set on purpose: each of those is a real candidate, and the right answer is the one that covers the scorch marks and the cord and the open window all at once, without extra pieces invented along the way to make it work.
Philosophers call that inference to the best explanation, and outside of mathematics it is how nearly every question actually gets settled.
(P4)No ordinary explanation accounts for the description and the death together.
+Four ordinary explanations are on offer, and serious people hold every one of them.
(1) "That is simply what a Roman crucifixion looked like."
- This is the strongest of the four and it should be granted a long way. Rome crucified thousands of men. Stripping the condemned was routine, soldiers keeping the clothes was routine, and thirst and dislocated joints and jeering were routine, so a poem about a man dying in public will match any of them.
- Grant all of that and something is still lying on the floor. The routine features are what this death shares with every crucifixion. These are not routine:
• a price of thirty, thrown down in a temple and spent on a potter's field;
• legs deliberately not broken, when the two men alongside had theirs broken;
• a coat divided four ways and a second garment gambled for whole.
- The chronology runs backwards, too. Why the details of a first-century execution look like a first-century execution needs no explaining at all. Why they were written down before Rome ruled anywhere near Judea, in a country whose own courts killed with stones, does. An explanation is judged partly by scope, meaning how much of the evidence it manages to cover, and this one covers the common features and leaves every uncommon one exactly where it was.
(2) "The Gospel writers wrote the scene out of the texts."
- Stated at full strength this is the serious academic position, argued in detail by capable scholars, and it is not a slur. On it, the church knew that Jesus had been crucified and knew little else, went looking in the Scriptures for what such a death must have involved, and wrote the answers up as narrative. The proposal even has a name: prophecy historicized.
- Any honest account has to concede that the evangelists knew these texts and wrote with them open. John quotes them at the reader's elbow, which is not how a man behaves when he is covering his tracks.
- It is strongest on the money. The sum, the coins thrown down in the temple and the potter's field are Matthew's alone, and they turn up in the same chapter where he quotes the prophecy, while Mark and Luke report only that money changed hands. It is also where the proposal has the most to answer for, because Matthew's two-step story does not track Zechariah's one-step verse.
- Elsewhere the story and the text will not line up. Psalm 22:18 gives one action; John reports two, and to get there he has to bring in a seamless tunic that the psalm never mentions and never required. Inventing an extra object in order to depart from your source is not how composition works.
- And composition cannot reach what was never on anybody's page. Rome's monopoly on crucifixion is a fact of Roman administration, and the heel bone from Giv'at ha-Mivtar came out of the ground in 1968.
(3) "Jesus arranged the parts he could."
- He did arrange some of it, and none of that is hidden (P3): the psalm quoted from the cross, the words about thirst with John's motive attached, and Zechariah's struck shepherd named hours before his followers scattered.
- A man can also get himself killed on purpose. Going up to Jerusalem at Passover and provoking the authorities is not difficult, and several men did exactly that in the same century and were killed by Rome for it.
- What nobody arranges from inside a trial is the other side's decisions. He did not set the price the priests paid, choose the manner of his own execution, tell four soldiers how to split a coat, or arrange to be dead before the two men beside him.
- Intention is doing all the work in this account, and it runs out precisely where other people's choices begin. The plan explains the effort and never explains the outcome.
(4) "With enough texts and enough details, something was bound to match."
- The instinct here is sound and deserves to be taken seriously. A large enough body of ancient poetry, read by people who are hunting for a match, will produce matches, and the history of prophecy interpretation is littered with them.
- The test is whether the same method finds anything else. If hits of this quality are cheap, they ought to cluster around the other messianic claimants of the period as well. Bar Kokhba led a revolt against Rome in AD 132 with a leading rabbi hailing him as Messiah and a nation behind him, and nothing of the kind ever formed around him.
- Coincidence has a further weakness that is easy to miss: it permits the match without ever expecting it. Nothing in the coincidence account would lead anyone to look for thirty pieces of silver in a potter's field, and an explanation that would have sat just as comfortably with any other outcome has not explained this one.
Therefore, each of the four covers part of the evidence and leaves a different part lying where it was: the details that are not routine, the evidence that was never on anybody's page, the decisions taken by other people, and a match that nothing in the account led anyone to expect.
(C2)Therefore, the best explanation is that the description came from God.
+The best explanation of these texts is that they came from God. Men writing in Jerusalem and in exile, in a country whose own courts killed people with stones, described a man dying in public with wounds in his hands and his feet. They set a price on him, said what would become of the money, and put into God's own mouth a sentence about a people looking on the one they had pierced. Centuries later a man died that way, and the decisions that made it fit were taken by the people who wanted him dead.
Set that beside the four ordinary accounts and it does two things they cannot. For one thing, it covers all of the evidence at once instead of a slice: the early dates, the details that are not routine, and the choices made by other people. For another, it expects what happened rather than merely allowing it. Nothing convenient has to be invented along the way, and no manuscript, no date, and no fact about how Rome ran its provinces has to be bent to make it fit. Swapping the word God for some unnamed source of foreknowledge is not a cheaper account either, since it keeps everything the account was meant to be paying for and drops only the name.
What it costs is not hidden. It asks a reader to accept that God exists and that He speaks, and a reader who starts out thinking that very unlikely will want a good deal more before he moves. That instinct is sound, and nobody should try to talk him out of it. A low starting estimate raises the bar. It does not close the question. What clears a raised bar is evidence of exactly this kind, the kind one account expects and the other merely tolerates. A reader who already has reasons of his own for thinking there is a God is not standing where a committed naturalist stands, and the same texts will carry him further. In any case, nobody should settle a question this large on one cluster of texts, and evidence of this kind belongs inside a larger case.
This is an inference to the best explanation rather than a proof, so a better account may yet turn up. Three findings would overturn it, and anyone willing to do the work can go looking for them:
- a later date for these texts than the surviving copies allow, which is a question of manuscripts and dates and nothing else;
- evidence that the Gospel writers invented the details that are not routine, together with an account of the evidence lying outside their narratives;
- an ordinary mechanism that explains the description rather than the death.
The limits are just as plain:
- The cry from the cross and the words about thirst are his own and carry no weight, and his quoting of the struck shepherd goes with them.
- Psalm 22:16 is contested in the Hebrew, and a reader unpersuaded by the ancient versions should set the verse aside. The hands and the feet are not what the case runs on.
- Isaiah 50:6 names a beard pulled out that no Gospel reports.
- None of this shows that Jesus rose from the dead, which is a separate question answered by separate evidence.
What is left after all of that is not small. A man can arrange his own last words. He cannot arrange what his enemies are willing to pay for him, or what a foreign army does with his clothes, or which of three condemned men has his legs broken.
See also:
• CE / Prophecy Fulfillment: Were the Messianic Prophecies Written Before Jesus?• CE / Prophecy Fulfillment: Who Is the Servant of Isaiah 53?• CE / Prophecy Fulfillment: Does the New Testament Quote the Old Testament Out of Context?• CE / Resurrection: Minimal Facts Argument (Habermas)
On the Psalms:
Craigie, Peter C. Psalms 1-50. Word Biblical Commentary 19. Waco, TX: Word Books, 1983.
Flint, Peter W. The Dead Sea Psalms Scrolls and the Book of Psalms. Studies on the Texts of the Desert of Judah 17. Leiden: Brill, 1997.
Goldingay, John. Psalms, Volume 1: Psalms 1-41. Baker Commentary on the Old Testament Wisdom and Psalms. Grand Rapids: Baker Academic, 2006.
Kugel, James L. The Idea of Biblical Poetry: Parallelism and Its History. New Haven: Yale University Press, 1981.
On Isaiah and Zechariah:
Boda, Mark J. The Book of Zechariah. New International Commentary on the Old Testament. Grand Rapids: Eerdmans, 2016.
Meyers, Carol L., and Eric M. Meyers. Zechariah 9-14. Anchor Bible 25C. New York: Doubleday, 1993.
Oswalt, John N. The Book of Isaiah, Chapters 40-66. New International Commentary on the Old Testament. Grand Rapids: Eerdmans, 1998.
Petterson, Anthony R. Behold Your King: The Hope for the House of David in the Book of Zechariah. Library of Hebrew Bible/Old Testament Studies 513. New York: T&T Clark, 2009.
On crucifixion in the ancient world:
Chapman, David W. Ancient Jewish and Christian Perceptions of Crucifixion. Wissenschaftliche Untersuchungen zum Neuen Testament 2/244. Tübingen: Mohr Siebeck, 2008.
Cook, John Granger. Crucifixion in the Mediterranean World. Wissenschaftliche Untersuchungen zum Neuen Testament 327. Tübingen: Mohr Siebeck, 2014.
Hengel, Martin. Crucifixion in the Ancient World and the Folly of the Message of the Cross. Translated by John Bowden. Philadelphia: Fortress Press, 1977.
Ingham, David, and Corinne Duhig. "Crucifixion in the Fens: Life and Death in Roman Fenstanton." British Archaeology, January/February 2022.
Tzaferis, Vassilios. "Jewish Tombs at and near Giv'at ha-Mivtar, Jerusalem." Israel Exploration Journal 20 (1970): 18-32.
Zias, Joseph, and Eliezer Sekeles. "The Crucified Man from Giv'at ha-Mivtar: A Reappraisal." Israel Exploration Journal 35 (1985): 22-27.
On the New Testament use of the Old:
Beale, G. K., and D. A. Carson, eds. Commentary on the New Testament Use of the Old Testament. Grand Rapids: Baker Academic, 2007.
Dodd, C. H. According to the Scriptures: The Sub-Structure of New Testament Theology. London: Nisbet, 1952.
France, R. T. The Gospel of Matthew. New International Commentary on the New Testament. Grand Rapids: Eerdmans, 2007.
France, R. T. Jesus and the Old Testament: His Application of Old Testament Passages to Himself and His Mission. London: Tyndale Press, 1971.
Hays, Richard B. Echoes of Scripture in the Gospels. Waco, TX: Baylor University Press, 2016.
On the Gospels as reports:
Bauckham, Richard. Jesus and the Eyewitnesses: The Gospels as Eyewitness Testimony. 2nd ed. Grand Rapids: Eerdmans, 2017.
McGrew, Lydia. The Eye of the Beholder: The Gospel of John as Historical Reportage. DeWard Publishing, 2021.
McGrew, Lydia. Hidden in Plain View: Undesigned Coincidences in the Gospels and Acts. Chillicothe, OH: DeWard Publishing, 2017.
Williams, Peter J. Can We Trust the Gospels? Wheaton, IL: Crossway, 2018.
On first-century Judea:
Yadin, Yigael. Bar-Kokhba: The Rediscovery of the Legendary Hero of the Last Jewish Revolt Against Imperial Rome. New York: Random House, 1971.
On weighing this kind of evidence:
McGrew, Timothy, and Lydia McGrew. "The Argument from Miracles: A Cumulative Case for the Resurrection of Jesus of Nazareth." In The Blackwell Companion to Natural Theology, edited by William Lane Craig and J. P. Moreland. Malden, MA: Wiley-Blackwell, 2009.
Swinburne, Richard. The Resurrection of God Incarnate. Oxford: Clarendon Press, 2003.
On the passion narratives:
Brown, Raymond E. The Death of the Messiah: From Gethsemane to the Grave. 2 vols. Anchor Bible Reference Library. New York: Doubleday, 1994.
On Jewish objections:
Brown, Michael L. Answering Jewish Objections to Jesus, Volume 3: Messianic Prophecy Objections. Grand Rapids: Baker Books, 2003.
Critic sources engaged:
Crossan, John Dominic. Who Killed Jesus? Exposing the Roots of Anti-Semitism in the Gospel Story of the Death of Jesus. San Francisco: HarperSanFrancisco, 1995.
Ehrman, Bart D. Jesus, Interrupted: Revealing the Hidden Contradictions in the Bible. New York: HarperOne, 2009.
Singer, Tovia. Let's Get Biblical! Why Doesn't Judaism Accept the Christian Messiah? 2 vols. RNBN Publishers, 2014.
On the Hebrew text and the ancient versions:
Qimron, Elisha. The Hebrew of the Dead Sea Scrolls. Harvard Semitic Studies 29. Atlanta: Scholars Press, 1986.
Tov, Emanuel. Textual Criticism of the Hebrew Bible. 3rd ed. Minneapolis: Fortress Press, 2012.
Vall, Gregory. "Psalm 22:17b: 'The Old Guess.'" Journal of Biblical Literature 116, no. 1 (1997): 45-56.
Weitzman, M. P. The Syriac Version of the Old Testament: An Introduction. Cambridge: Cambridge University Press, 1999.
Ancient sources:
The Babylonian Talmud, tractate Sukkah 52a.
The Damascus Document (CD), Cairo Genizah manuscript B, column 19.
Josephus. Jewish Antiquities 13.380; The Jewish War 1.97; 2.175; 5.449-451.
The Nahal Hever Psalms scroll (5/6HevPs).
Plautus. Mostellaria 359-360.
The Septuagint and the Syriac Peshitta at Psalm 22:16.
Tacitus. Annals 15.44.
Biblical citations:
Exodus 12:46; Exodus 21:32; Leviticus 20:14; Numbers 9:12; Numbers 24:17; Deuteronomy 21:22-23; Ezra 6:11; Psalm 19:1; Psalm 22; Psalm 34:19-20; Isaiah 40:3; Isaiah 50:4-7; Jeremiah 18:1-6; Jeremiah 19:1-6; Jeremiah 32:6-15; Zechariah 11:4-14; Zechariah 12:10; Zechariah 13:7; Malachi 3:1; Matthew 26:14-16; Matthew 26:67-68; Matthew 27:3-10; Matthew 27:26-31; Matthew 27:35-46; Mark 1:2-3; Mark 14:11; Mark 14:27; Mark 14:29-31; Mark 14:50; Mark 15:34; Luke 22:5; John 19:23-24; John 19:28-37; John 20:25; Acts 1:18-19; Acts 2:25-31.
+Psalm 22 is a lament, not a prediction. An Israelite in trouble is describing his own suffering in the stock imagery of the genre, and nothing in it announces a future event.
1. Psalm 22 really is a lament.
It is written in the first person, and it uses the standard furniture of the type: bulls, dogs, lions, a cry to a God who does not answer. Nothing in it says "in days to come." A reader who has been told it is a prediction, and who then opens a Bible and reads it straight through, is going to notice that within a minute, and he is right to notice.
So it is a lament. What the lament describes is the question.
2. The description does not fit its author's world.
Stock imagery is stock because it comes around again and again. Pierced hands and feet do not come around again. Neither does a crowd dividing a dying man's clothes while he watches them do it, and neither does a taunt that turns from the victim to God.
Israel executed by stoning, and Deuteronomy 21:22-23 hangs a man on a tree only after he is dead, with the body down by sundown. A death drawn out over hours reaches Judea centuries after any date proposed for this psalm, and when it does arrive, under Alexander Jannaeus around 88 BC, Josephus records it as an atrocity.
3. The psalm's own ending is out of scale with a private complaint.
The second half turns, and where it goes is a strange place for a man describing a bad week: "All the ends of the earth shall remember and turn to the LORD, and all the families of the nations shall worship before you." (22:27) It closes on a people not yet born being told "that he has done it." (22:31)
A lament about one man's troubles that ends in the conversion of the nations is a lament that thinks it is about more than the man.
4. Lament and prediction are not competitors.
The objection assumes a text can only be doing one thing at a time. Hebrew poetry regularly speaks in the first person about one man's experience and reaches out well past him, which is why Peter, preaching in Jerusalem seven weeks after the crucifixion, could argue that David's words about the grave outran David himself.
Granting the genre costs nothing at all. The description is still sitting there in the psalm, and it still has to be accounted for.
See also:
• CE / Prophecy Fulfillment: Does the New Testament Quote the Old Testament Out of Context?
+Psalm 22:16 does not say "pierced." The Hebrew reads "like a lion," which is how Jewish Bibles translate it, and the crucifixion reading rests on changing a letter.
1. The standard Hebrew text really does read "like a lion."
The Masoretic Text is the base of every modern Hebrew edition and of Jewish translations, and it reads ka'ari. Anyone who pretends the Christian rendering is uncontested is misleading his reader.
2. That reading leaves the sentence with no verb.
"For dogs have surrounded me; a band of evildoers has encompassed me; like a lion my hands and my feet." The first two clauses have verbs. The third has none, and the sentence simply stops in the air.
Defenders of the Masoretic reading supply one, most often "they maul" or "they are at," borrowed from the lion. That is a legitimate move and it is what a careful translator does with a hard line. It is also an admission that something has to be added before the clause will work.
Neither reading is clean here, and pretending otherwise would be dishonest. Ka'aru is not the standard Hebrew spelling for "they dug" either, because the ordinary spelling drops the letter aleph that this one keeps. That obstacle is smaller than it sounds. Writing an aleph in where the standard spelling has none is a known habit of the scribes who copied Hebrew in the Judean desert, and the Hebrew copy that carries the verb here is one of their manuscripts. Either way, one reading leaves the clause unfinished and the other finishes it.
3. Three ancient witnesses in three languages have the verb.
- The Septuagint, translated from Hebrew by Jews before the Christian era, reads oryxan, "they dug."
- The Syriac Peshitta, an ancient translation in a different language and a different tradition, has the piercing.
- A Hebrew Psalms scroll from Nahal Hever, in the Judean desert, ends the word in waw, which makes it a verb, rather than in yod, which makes it a lion.
How independent those three witnesses are is a fair question, and the honest answer is that it varies. The Peshitta Psalter shows Greek influence in places, so it cannot simply be counted as a third vote. At this verse, though, it does not look borrowed. The Greek says "they dug," while the Syriac reaches for its own everyday word for piercing something through, which is not what a translator working off the Greek produces. And the Hebrew scroll is a separate vote whatever anyone decides about the Syriac, because it is in Hebrew and it is not Christian.
Textual critics, the scholars whose work is comparing ancient copies to recover what a text originally said, weigh readings rather than counting manuscripts. Here the medieval Hebrew reading is also the one that leaves the sentence unfinished.
4. The scroll is not pre-Christian.
Its handwriting dates it to roughly AD 50 to 68, and it was found among belongings left in a desert cave by refugees from the Bar Kokhba revolt in the AD 130s. So it is not evidence from before Jesus, and anyone who presents it that way has overstated it. What it is, is a Hebrew copy made by a Jewish scribe with no stake whatever in the Christian claim.
The letter itself is disputed. The published transcriptions read it as the waw, and some scholars working from the photographs answer that the final stroke is too faded, or too much like a long yod, to decide. A majority reading with a real minority against it is where the question should be left.
5. The case does not stand on this verse.
Take verse 16 out entirely, and here is what remains:
- a man dying in public over hours, a body poured out and dried up;
- a taunt aimed past him at God;
- clothing divided and gambled for;
- a price of thirty in a potter's field;
- legs left unbroken while two men beside him had theirs broken;
- a piercing at Zechariah 12:10 that nobody disputes is there.
+The Gospel writers had these texts open in front of them and composed the crucifixion scene out of them. The match shows literary dependence, not prophecy.
1. The evangelists never hid that they knew these texts.
They read them as being about Jesus, and John says so right at the reader's elbow: "This was to fulfill the Scripture." (19:24) Any account that treats the Gospel writers as neutral reporters with no scriptural interest is not describing the documents that actually exist.
The serious academic version of the objection, sometimes called prophecy historicized, holds that the church knew Jesus had been crucified and knew little else, searched the Scriptures for what such a death must have involved, and wrote the answers up as narrative. It is argued at length by capable scholars, and it deserves a real answer rather than a wave of the hand.
2. Composition explains what is inside a text and nothing outside it.
A writer's freedom ends at the edge of his page, and a good deal of this evidence was never on a page at all.
- The manner of death was Rome's to choose, and Rome's monopoly on crucifixion is a fact of Roman administration rather than a literary decision.
- The heel bone from Giv'at ha-Mivtar came out of the ground in 1968 with the nail still through it.
- The dates of the texts are fixed by manuscripts kept and copied by people who reject the conclusion drawn from them.
3. The theory strains where the story departs from the text.
An author composing from Psalm 22:18 has no reason on earth to produce two actions. The other three Gospels describe one, the clothes divided by lot, which is exactly what the verse hands a writer. John gives two, and to manage it he has to introduce a seamless tunic that the psalm never mentions and never needed. Inventing an extra object in order to depart from your source is backwards.
The legs work the same way. Nothing in any of these texts asks for the two men beside him to have their legs broken while he is passed over, and the detail arrives with an ordinary Roman reason already attached: he was already dead.
4. The theory has to be applied evenly.
If a narrative detail that matches Scripture counts as evidence of invention, then any true event that happened to match Scripture would be unreportable, since reporting it would count against it. Suppose a work detail really did throw dice for a coat that afternoon. No witness could say so without the saying itself being taken as proof he made it up. That is a standard no evidence could ever meet, and a test nothing can fail is not a test.
The reasonable version of the objection is that some of the telling took its coloring from these texts, which is likely true and is roughly where careful commentators on all sides end up. That is a long way from the scene being manufactured.
See also:
• CE / Prophecy Fulfillment: Does the New Testament Quote the Old Testament Out of Context?
+Jesus deliberately fulfilled what he could. He quoted Psalm 22 from the cross, and John says outright that he said "I am thirsty" in order to fulfill Scripture.
1. Three of the details came out of his own mouth (P3).
The cry from the cross is Psalm 22:1 in his own voice. The thirst comes with John's motive attached: "knowing that all was now finished, said (to fulfill the Scripture)." (19:28) And he quoted Zechariah's struck shepherd himself, on the road to Gethsemane, before anyone had laid a hand on him. Nothing about foresight follows from a man saying any of those three, and counting them would be padding.
The shepherd verse is worth one further word, because quoting a text and bringing it about are two different achievements. What the verse announces is a striking and a scattering, and he arranged neither one. Peter heard the announcement and answered it flatly, saying he would die first, and the whole company said the same. Inside the hour they were gone (Mark 14:29-31, 50).
2. A man can also get himself killed on purpose.
That is granted too. Provoking the authorities in Jerusalem at Passover is not difficult, and going up knowing what was likely to follow is exactly what the Gospels describe him doing.
3. What cannot be arranged is the other side's decisions.
- What the priests were willing to pay, and that they paid anything at all.
- That the money would be refused for the treasury and spent on a field belonging to a potter.
- That Rome would choose crucifixion, since a prisoner does not select his sentence.
- What four soldiers did with his coat, and that a seam would send them to dice for it.
- That he would be dead early enough for the soldiers to break the legs of the two men beside him and skip his.
- That someone would put a spear into his side after he had died.
4. The account fails at the point where it is needed most.
Self-fulfillment works for words and for movements, because a man controls his own mouth and his own feet. It has no purchase whatever on what enemies decide. And the details it cannot reach are precisely the ones that make the description specific rather than generic.
+Matthew attributes the thirty pieces of silver to Jeremiah, and the passage is in Zechariah. A writer who cannot name the right prophet is not a reliable witness to a fulfillment.
1. The attribution is wrong as it stands."Then was fulfilled what had been spoken by the prophet Jeremiah" (27:9), and the words that follow are substantially Zechariah 11:12-13. Nobody serious denies the difficulty.
2. The quotation is not purely Zechariah.
The wording Matthew gives blends Zechariah's thirty pieces with material out of Jeremiah: the potter's house Jeremiah is sent to watch (Jeremiah 18), the clay jar he smashes in a valley that is then renamed for slaughter (Jeremiah 19), and the field he buys, paying for it in weighed silver (Jeremiah 32). A field, a potter, weighed silver and a valley of blood are all Jeremiah's furniture.
3. Citing a blended text under the more prominent prophet's name has a parallel.
Mark opens his Gospel with "as it is written in Isaiah the prophet" and then quotes Malachi 3:1 before he ever reaches Isaiah 40:3. Whatever a modern reader makes of the habit, it was plainly not peculiar to Matthew, and a composite citation filed under the major prophet is what both writers appear to be doing.
4. The objection does not touch the evidence in any case.
The fulfillment claim is about events: a price of thirty, thrown into the temple, spent on a potter's field. Those either happened or they did not, and Matthew's filing label has no bearing on it either way. A witness who misremembers which book a quotation comes from has not thereby misremembered what he saw.
+Zechariah 11 is a sign-act about the prophet's own generation. The thirty shekels is the price of a gored slave in Exodus, an insult aimed at the shepherd, not a prediction of a betrayal payment.
1. The sign-act really is aimed at Zechariah's own generation.
He acts out a shepherd's role against the leadership of his day, breaks two staffs, and is paid off. It is street theater with a target, and the target is contemporary. Reading it as a bare prediction with no first audience would be the out-of-context move Christians are so often accused of.
2. The slave price is the point rather than an objection to it.Exodus 21:32 sets thirty shekels as the compensation owed when an ox gores somebody else's slave. That is what makes the sum contemptuous, and the passage says as much in God's own voice: "that magnificent price at which I was valued by them." The sarcasm is in the text rather than imported into it.
So the figure is not a round number picked out of the air. It is specific, it is insulting, and it is legally freighted, which makes the later match sharper rather than softer.
3. A sign-act aimed at one generation still specifies what it specifies.
Grant the contemporary setting whole. The passage goes on containing a sum, a place, and a disposal: thirty pieces of silver, thrown to the potter, in the house of the LORD. Whatever Zechariah's neighbors made of it on the day, those three things were written down, and they stayed written for centuries.
4. The other strands do not depend on this one.
If a reader concludes that Zechariah 11 was fully discharged in the Persian period, the price and the field drop out of the case. The manner of death, the divided clothing, the unbroken bones and the piercing of Zechariah 12:10 do not move an inch.
+Zechariah 12:10 is textually uncertain. Some Hebrew manuscripts read "they will look to him," not "to Me," and the Septuagint has a different verb entirely.
1. The majority reading is the harder one.
A minority of Hebrew manuscripts do read "to him." The Masoretic Text and the weight of the tradition read "to Me," which produces the difficulty of God speaking of a piercing done to Himself and then of mourning for a third-person Him.
Textual critics generally prefer the reading that best explains how the others arose. A scribe who found "to Me" jarring has an obvious motive to smooth it to "to him." Nobody has a motive to run the change the other way.
2. The Greek divergence is a translation difficulty.
The Septuagint here reads a form meaning roughly "they danced upon" or "they insulted," which is what results when the Hebrew consonants behind "pierced" are read in a different order. It reflects a translator wrestling with a hard word, not a different Hebrew original sitting on his desk.
3. John is not following the Septuagint.
His quotation at 19:37 stands closer to the Hebrew than to the Greek version available to him. A writer manufacturing a proof text reaches for whichever version helps him most. This one did not.
He does write "Him" rather than "Me," and a critic is entitled to say so. The Hebrew sentence supplies both pronouns, John is quoting the half about the mourning, and in a narrative about somebody else the third person is the only thing that would read.
4. The verb itself is not in dispute.
Whichever pronoun a reader adopts, the passage still has someone pierced, a house of David looking at him, and mourning like the mourning for an only son. The pronoun decides how startling the verse is. It does not decide whether a piercing is in it.
+These are not fulfillments: they are what Roman executions looked like. Every crucified man was stripped, mocked, thirsty and in agony, and soldiers took the clothes of all of them.
1. For part of the list this is simply true.
Thirst, dislocated joints, exhaustion, public mockery and soldiers keeping the clothing were the ordinary furniture of the penalty. Anyone treating those as individually astonishing is overselling the case.
2. What is left over is not routine.
- A price of thirty pieces of silver, thrown into the temple and spent on a field belonging to a potter.
- Legs deliberately not broken, when breaking them was the standard way to finish a man and the two beside him had theirs broken that afternoon.
- A garment divided among four and a second one gambled for whole.
- A spear thrust after death, which served no procedural purpose at all.
None of those describe crucifixion in general. They describe one crucifixion.
3. The objection inverts the chronology.
Saying that the details of a Roman execution look like a Roman execution explains nothing that needed explaining. What needs explaining is why they were written down centuries earlier, by people whose own courts killed with stones and who had no Roman penalty in front of them to describe.
4. The routine items still count in one respect.
A description written centuries in advance that happens to match the ordinary features of a penalty its own country never used is a different thing from a description written by a man who had stood and watched one. That these features look commonplace to us is a fact about Rome. It is not a fact about the Israel these texts were written in.
+This is cherry-picking: the hits are quoted and the misses are passed over. Psalm 22 has bulls of Bashan and lions, and Zechariah 11 has two staffs broken and a worthless shepherd whose arm withers.
1. The unquoted material is real.
A reader should have it in front of him:
- Psalm 22 has bulls of Bashan surrounding the speaker (22:12) and a ravening lion (22:13).
- Zechariah 11 has two staffs named Favor and Union, broken in sequence, three shepherds removed in a single month, and a worthless shepherd whose arm and eye are struck.
- Isaiah 50:6 has a beard pulled out.
None of that appears in any Gospel.
2. Figurative and literal items are not the same kind of thing.
Bulls and lions are images for hostile men, in the same poem that calls the speaker "a worm and not a man" (22:6). No reader has ever expected livestock at the scene, and no Gospel writer claimed any. Pierced hands and divided clothing are not images of that kind, which is exactly what makes the psalm difficult in the first place.
3. Zechariah 11's staffs and shepherds are not claimed as fulfilled.
They belong to a judgment on the leadership of the prophet's own day, and nothing in the crucifixion answers to them. Claiming them would be the very error this objection describes.
4. The beard is a genuine miss.Isaiah 50:6 names four things: the back given to those who strike, the beard pulled out, insults, spitting. Three of the four are reported at the trial and the flogging. The fourth is not reported by anybody, and a fulfillment claim that quietly drops it is doing precisely what this objection accuses it of doing.
So Isaiah 50:6 is a partial match, it belongs among the weaker strands, and nothing in the case rests on it. That is what a miss looks like when it is admitted instead of managed.
5. A method can be tested by watching it work.
Selectivity is a charge about method, so the method has to be out where it can be seen. The misses are on the table: the bulls, the lions, the two staffs, the three shepherds, the withered arm, the beard. The items carrying the weight are the ones no Christian chose: the date of the manuscripts, Rome's monopoly on crucifixion, and what a work detail did with a coat on a Friday afternoon. Every one of them can be checked by somebody who wants the argument to fail.
+No pre-Christian Jewish source read Psalm 22 or Zechariah 12 as a prophecy of a crucified Messiah. The reading was invented afterward by the people who needed it.
1. No surviving pre-Christian text reads Psalm 22 as messianic.
Jewish interpreters have read it as David's lament for two thousand years, and anyone claiming a settled pre-Christian consensus for the Christian reading is inventing one.
2. Some of the material was in play before Christianity.
The Damascus Document, copied at Qumran in the century before Jesus, quotes Zechariah 13:7 about the struck shepherd in a setting about a coming visitation, though the column carrying that quotation survives only in a later copy. And rabbinic tradition eventually produced a suffering, dying messianic figure, Messiah son of Joseph, drawn partly out of Zechariah 12:10. A text with a wound in it was one Jewish readers kept coming back to.
3. A crucified Messiah was the worst thing anyone could have invented.
It was not a category Judaism was waiting to fill. It was closer to a contradiction in terms, since the law pronounced a curse on a man hung on a tree. Making that the centerpiece is the worst available move for a movement seeking Jewish converts, which is a reason to think the shape was forced on them by events rather than chosen.
4. What the case needs is a prior text.
Whether anyone before Jesus applied Psalm 22 to a Messiah is a question about interpreters. Whether the description was written down centuries earlier is a question about manuscripts, and manuscripts answer it.
See also:
• CE / Prophecy Fulfillment: Was Israel Already Waiting for a Messiah?
+Psalm 34:20 is a general promise that God protects the righteous, and as a general promise it is plainly false. Righteous people break bones constantly.
1. Read as a flat guarantee about skeletons, the promise fails."Many are the afflictions of the righteous, but the LORD delivers him out of them all. He keeps all his bones; not one of them is broken." (34:19-20) In context this is a psalm of confidence, and taken as a guarantee about bones it is refuted by any hospital in the country. The general reading is the natural one, and it is granted.
2. John is not quoting Psalm 34 as his primary text.
His words are "Not one of his bones will be broken" (19:36), and the nearest wording anywhere is the Passover regulation: "you shall not break any of its bones" (Exodus 12:46), repeated at Numbers 9:12. That is a rule about a lamb rather than a promise about the righteous, and it is the rule John's Gospel has been pointing at since it first called Jesus the Lamb of God.
3. The unbroken bones are evidence because of who decided them.
Whatever a reader concludes about the texts, the event stands. An order went out to break the legs of three condemned men, two of them had their legs broken, and one did not, for a reason that had nothing to do with him.
4. Taken at its worst, this strand can be dropped.
If a reader judges that neither Psalm 34 nor Exodus 12 was predicting anything, the unbroken legs become an interesting fact rather than a fulfilled text. The price, the field, the manner of execution and the piercing are untouched.
+The seamless tunic is John's invention. He misread the two lines of Psalm 22:18 as two separate acts and manufactured a garment to fill the gap.
1. The reconstruction is coherent and seriously proposed.
John does quote the verse, he does report two actions, and a writer who took the parallel lines as sequential would need a second garment to account for the second line. It hangs together as an account of his method.
2. Granting the two-act reading of the psalm changes nothing.
Give the objection its best ground, and a little more than it asks for. Hebrew parallelism does not always mean flat repetition, and the second line of a couplet often advances the first rather than restating it. So a first-century reader could take verse 18 as two acts without being careless about it, and the psalm's second noun would even hand him a second garment to hang the second act on.
What no reading of the verse hands him is a tunic woven in one piece without a seam. That is nowhere in the psalm and follows from nothing in it, and it is the detail the whole scene turns on: the weave is the reason for not tearing, and not tearing is the reason for the lot. To reach John's scene an author has to go outside his source for the one object that makes the scene work, which is the opposite of composing from it.
3. The tunic costs a composer more than it buys him.
A writer following the psalm gets a simpler story and a cleaner citation by reporting a single act, which is exactly what the other three Gospels do. The tunic hands him a discrepancy with all three and a weaving detail he then has to account for.
4. An inventor has no use for a detail like the weave.
It is incidental, it is physical, and it carries an ordinary explanation around with it: a garment woven in one piece is ruined by tearing and worth keeping whole, which is why the men on duty diced for it instead. Details that do work in the world rather than work in the argument are the signature of report rather than construction.
+Given a long enough body of ancient literature and a motivated reader, matches are guaranteed. Nostradamus is read this way every year, and nobody counts that as prophecy.
1. The instinct behind the comparison is right.
Israel's Scriptures are long, and readers looking for a life in them will find one. The history of prophecy interpretation is full of confident matches that dissolved on inspection, and any argument of this kind has to be tested against that record.
2. What matters is how specific a text is.
Vague texts fit many outcomes, which is what makes the Nostradamus comparison work in the cases where it does work. A sum of thirty pieces of silver, thrown into a temple and spent on a potter's field, is not that kind of text. It rules out very nearly everything.
3. The same method finds nothing comparable elsewhere.
Judea in this period had other messianic claimants, several of whom died violently and left followers with every motive to search the same Scriptures. Bar Kokhba was hailed as Messiah by Rabbi Akiva and backed by a nation. No comparable cluster ever formed around him or around anyone else.
The comparison has a limit worth admitting. His revolt was crushed and whatever his followers wrote did not survive, so part of the silence is the silence of a lost literature. Only part of it, though. His own letters came out of a Judean desert cave in the 1960s, his coins survive in quantity, and the rabbis kept the memory of what Akiva called him: the star of Numbers 24:17, which is where the name Bar Kokhba, son of a star, came from. What survived of that movement is one verse, applied once. One verse is not a cluster.
4. Coincidence permits the outcome without ever expecting it.
That is the difference that decides a case like this one. On the coincidence account, nothing about a first-century execution would lead anyone to look for thirty pieces of silver in a potter's field. On the other account it is what would be expected. An explanation that would have sat just as comfortably with any other result has not explained the result we have.
+The thirty pieces, the coins thrown down in the temple and the potter's field appear in Matthew and nowhere else, in the same chapter where he quotes the prophecy. Mark and Luke say only that money changed hands.
1. Every sharp detail about the money belongs to Matthew alone.
Mark has the priests promising Judas money (14:11) and Luke has them agreeing to give him some (22:5). Neither one names a figure, and neither says what became of it. The thirty, the coins flung into the sanctuary, the burial plot bought from a potter: all Matthew. Matthew is also the one evangelist who quotes Zechariah over the whole business. This is the objection's strongest ground, and anyone pressing the composition charge should press it here and nowhere softer.
2. Matthew's story does not track the verse it is supposed to have come from.
Zechariah has the shepherd throw the coins to the potter in the house of the LORD. One man, one act, one place. Matthew needs two steps and two sets of actors to reach anything like it:
- Judas throws the money into the sanctuary and leaves.
- The priests, who will not put blood money in the treasury, confer and spend it on a field belonging to a potter.
The step that makes the whole chain necessary is not in Zechariah at all. Matthew has the priests refuse to put blood money into the korbanas, the temple's own sacred fund, and korbanas is the word Josephus uses for that same fund when he tells how Pilate raided it to pay for an aqueduct. That is a piece of Jerusalem procedure rather than a piece of prophecy, and it is what sends the money out to a field.
A writer generating a scene out of a verse produces the verse. He does not produce a chain of events that only adds up to the verse afterwards, and then have to explain to his readers why it counts.
3. A quite different tradition also puts Judas's money in a field.
Acts tells it another way. Judas himself got a field with what he was paid, died there on the ground, and everyone in Jerusalem came to call the place Field of Blood (1:18-19). No thirty. No potter. No temple. No Zechariah anywhere near it.
The two accounts are famously hard to fit together, and that difficulty is itself the evidence. A man inventing a scene out of a prophecy does not also generate a rival version that embarrasses him. What the two agree on, coming from different directions, is that the betrayal money ended in a piece of ground outside Jerusalem with a name that stuck to it.
4. Drop the money from the case and watch what moves.
Grant the objection whole and take the price and the field out.
- The manner of execution was Rome's, and every account has it.
- The divided clothing is in all four Gospels.
- The age of the texts is a question about manuscripts and owes nothing to any evangelist.
- The unbroken legs and the spear are John's alone, and a reader who applies the same discount to them is being consistent rather than unfair.
Even after all of that, what remains is a slow public death, described centuries early, in a country whose courts had no such penalty.
See also:
• CE / New Testament Criticism: Convergence of Independent New Testament Traditions
+Every claim about who decided what comes from four Christian documents. Trusting them on precisely the points in dispute assumes what the argument is meant to show.
1. Four of the details are known from the Gospels and nowhere else.
The price, the coat, the unbroken legs and the spear have no other source. If those documents are free composition, every one of those details goes with them. That is a real condition to be under, and hiding it would be worse than admitting it.
2. Circularity would be something else.
An argument goes in a circle when it uses A to establish B and then turns around and uses B to establish A. The standing of the Gospels as reports is argued on evidence that has nothing whatever to do with prophecy:
- how personal names were distributed in first-century Judea: Simon and Joseph were the two commonest men's names there, they are the two commonest in the Gospels and Acts as well, and the names Jews favored in Egypt are not the names these writers reach for;
- local geography, currency and custom that a writer at a distance gets wrong and these writers do not;
- incidental agreements between accounts that nobody coordinated;
- notice of the execution by writers with no sympathy at all for the movement.
A reader can work through the whole of that before he ever opens a psalm.
3. The details in question are the awkward kind.
An author with a free hand writing a fulfillment scene does not have his hero's loudest words from the cross be a cry of abandonment. He does not have the man's fate turn on a soldier's offhand judgment that he was already dead. Details that make trouble for the writer are the ones least likely to have come from him.
4. Strike the Gospels out entirely and something is still on the table.
The texts are dated by manuscripts that a community which rejects the Christian conclusion has copied and guarded for two thousand years. Crucifixion was a Roman penalty imposed by Roman authority, which is a fact about how the empire ran rather than a claim about a document. And that a Galilean teacher was crucified under Pontius Pilate is granted by historians across the spectrum, resting on Roman evidence as well as Christian. What that leaves standing is a detailed description of a slow public death, written centuries before Israel had ever seen one, and a man who died that way.
See also:
• CE / New Testament Criticism: Internal Marks of Eyewitness Testimony and Verisimilitude• CE / New Testament Criticism: Undesigned Coincidences as Evidence of Gospel Reliability
+Verse 16 has dogs surrounding the speaker before it ever reaches his hands and feet. Whatever the disputed word means, the picture is animals savaging a man, not a Roman execution.
1. The verse really does put the dogs before the hands and the feet.
It runs "For dogs have surrounded me; A band of evildoers has encompassed me," and only then arrives at the hands and the feet. Taking the wounds as what the surrounding creatures do is the natural flow of the line. Somebody who has been told that this verse simply says "crucifixion," and who then opens a Bible to check for himself, is going to feel he was handled. He would be right to feel it.
2. The animals in this psalm are men.
Bulls, dogs and lions run all through the poem as images for hostile people, which is why the same line that names the dogs names "a band of evildoers" right alongside them. Nobody is describing a pack of strays in a field. It is a ring of human beings around a dying man, and whatever is done to his hands and his feet is done by them.
3. The claim is about where the wounds are.
The psalm mentions no nails, no wood and no cross, and nothing in the case needs it to. What the verse gives, on the reading that finishes the sentence, is wounds at the hands and the feet. Not the head. Not the chest. Not the back. That is the whole of what the verse hands anybody, and it survives every question about who inflicted the wounds.
4. Making the attackers human does not make the scene ordinary.
Israel's crowds killed by throwing stones, and stones go for the head and the body. A mob that instead works on a man's hands and his feet, while his clothes come off him and the dying goes on long enough for his tongue to stick to his jaws, is not a scene out of Israel's world (P1). The strangeness is in the whole picture, and moving the wounds from a cross to a crowd leaves it exactly where it was.
+At Psalm 22:16 the Hebrew text is set aside for the ancient versions, and at Zechariah 11:13 the Hebrew is kept, though several standard translations read "treasury" there rather than "potter." The rule seems to be whichever reading helps.
1. The two cases really do go opposite ways.
At Psalm 22:16 the Hebrew reads "like a lion," and the Christian case at that verse rests on the Greek, the Syriac and a desert scroll instead. At Zechariah 11:13 the Hebrew reads "potter," several modern translations follow the Syriac to a nearly identical word meaning "treasury," and the Christian case keeps the Hebrew. Anyone who suspects Christians of choosing whichever reading suits them has a clean place to start, and the charge deserves an answer rather than a shrug.
2. Textual criticism was never loyalty to one manuscript.
Picture a court with three transcripts of the same phone call, typed up by three different typists. It does not rule in advance that one typist always wins. It asks, phrase by phrase, which version explains how the other two came to say what they say. That is the question textual critics ask, and asked honestly it can send you toward one manuscript in one verse and away from it in the next without the slightest inconsistency.
The best-known rule of thumb inside that question is that the harder reading usually wins, because copyists smooth rough places and almost never roughen smooth ones. The rule has its own limit built into it. A reading can be so hard that it does not construe at all, and a clause that will not construe is damage rather than difficulty.
3. Applied to these two verses, the question has different answers.
- Psalm 22:16: the Hebrew reading is not merely hard, it is unfinished. "Like a lion my hands and my feet" has no verb at all, which puts it on the damage side of that line. Three ancient traditions in three languages have a verb there.
- Zechariah 11:13: the Hebrew reading is hard and perfectly grammatical. A potter has no obvious business being handed money in the temple, and "treasury" is exactly the tidy word an editor reaches for. Keeping "potter" means keeping what the Hebrew manuscripts actually say, while "treasury" is a repair proposed on the strength of a translation.
Different answers, one question, asked the same way both times.
4. Neither verse decides the case.
Take the objection's own preferences and run them both: "like a lion" in Psalm 22, "treasury" in Zechariah 11. Thirty shekels are still weighed out for a shepherd and flung down in the house of the LORD, which is where Matthew puts the money. And everything those two contested words were never carrying is untouched: the slow public death, the taunt aimed past the victim at God, the clothing divided, the legs left unbroken, and the piercing of Zechariah 12:10, which nobody disputes is in the text.